Pre warnings of adult scenes of a sexual nature, depictions of violence and brief frontal male nudity left me in doubt that Matthew Bourne’s The Car Man is designed to provoke. Sparks fly from the outset - and not just from the welding in the mid-west greasy garage-diner, where mechanics with rippling muscles delight in bullying their sensitive co-worker, Angelo.

Andrew Palmer finds a play that trades on nostalgia, then quietly detonates it, as two men's secrets collide on the eve of the Brighton bomb. There is a particular kind of dread that arrives dressed as nostalgia.

I always like to digest theatre performances on a full stomach, my favourite pre-show meal being thinly sliced steak and frites at a local French bistro. However, due to the cannibalistic nature of The Silence of the Lambs I swapped red meat for fish pie and mashed potato to avoid bouts of nausea - or worse.

Leeds-based Red Ladder Theatre Company and Hull’s Silent Uproar have joined forces to produce a powerful new play from an exciting and original voice in northern theatre.

Andrew Palmer continued his enthusiastic support of Ripon Theatre Festival and found Stephen Smith's virtuoso solo turn as Edgar Allan Poe left him breathless — exhausting, exhilarating and utterly captivating, in a masterclass in gothic horror that stopped his heart. There are shows that entertain, and there are shows that leave you wrung out with admiration.

A scratch performance about medieval lepers was just one of hundreds of events at this year's Ripon Theatre Festival—but as an opening statement, it was a bold one. It is a good sign, and an increasingly rare one, to see a theatre festival so thoroughly supported: excellent productions, wonderful venues, a well-curated programme and, above all, outstanding commun…

Do you want the good news, or the bad news? Let’s start with the positive. Theatre audiences in the UK are up on pre-Covid levels. The downside is the number of new plays has plummeted. A report published last autumn by the British Theatre Consortium found that attendances were up in 2023 compared to 2019, but there were 30 per cent fewer plays opening during the same period.

The fashion for turning eighties films into stage productions continues with this version of the popular movie The Karate Kid. On one of the hottest nights of this spring so far, the prospect of sitting through a story in Leeds’ Grand Theatre that I was unfamiliar with wasn't an enticing prospect – how wrong my assertion turned out to be.

I must have had my own blonde moment when the highly acclaimed Legally Blonde film with Reese Witherspoon hit our screens in 2021, grossing 142 million dollars worldwide and shaping fashion trends. Determined not to let the 2026 stage production pass me by, I was at the front of the queue for the upbeat romantic comedy and its timeless appeal.