When in any doubt or perhaps when facing too much choice, it’s a safe bet to reach for an old faithful, so I did just that when I picked this Grisham from the TBR pile by the bed. For the uninitiated, TBR means To Be Read or should that be BTBR – Begging To Be Read.

After a decade of steadily expanding their reach across the UK and Europe, Manchester's self-proclaimed intergalactic travellers HENGE are preparing for their biggest Earth mission to date. The band have announced a 75-date world tour spanning 17 countries – with more still to come – marking not only their most ambitious run yet but also their long-awaited first shows across North America.

Fresh from a morning of interviews and still buzzing between events, this year's Festival Programming Chair, Lisa Jewell, talks to Andrew Palmer at the Theakston Old Peculier Crime Writing Festival about omissions, instinct, and the coercive-control novel taking shape for 2027. The deckchairs are out on the lawn of the Old Swan Hotel, the sun is doing exactly wha…

Amy Shark has always excelled at turning life's awkward, painful and complicated moments into memorable songs, but soft pop feels different. Stripped back and refreshingly uncomplicated, this is an album that places her voice and innermost thoughts front and centre, allowing the emotion to do the heavy lifting. The production rarely gets in the way, creating the feeling that you're sitting with Shark as she quietly unpacks her experiences without fear, shame or pretence.

Sussex novelist Elly Griffiths has won the Theakston Old Peculier Crime Novel of the Year 2026 — the most coveted prize in British and Irish crime writing — for The Frozen People, a genre-bending mystery that sends a modern-day cold case detective back to the ice-bound streets of Victorian London.

There is a particular pleasure in returning to a recording again and again as a reviewer and finding that it yields something new each time, while one thing remains constant. With this latest Chandos disc from Elena Urioste and Tom Poster, that constant is the sheer beauty of the playing: the balance between soloist and accompanist is judged to perfection, and the engineers have done what Chandos so often manages, capturing the sound with such transparency that the listener seems to be eavesdropping on the duo rather than hearing a recording at all. It is sublime, moving and endlessly captivating.