
Steve Whitaker
Features Writer
P.ublished 15th March 2025
arts
Poem Of The Week: Bird Prints By Genny Rahtz
Bird Prints
For years we lived
on the hard surface of a city
beached on the Humber
and of necessity,
absorbed the slow mix
of fresh and salt tides
that draw the margins.
We knew the weight
of territorial bird prints
on silver mud flats.
They have become
hieroglyphs of memory
for all those years
we searched for refuge,
saturated by the light
that bleaches all sense
of distance across the estuary.
Genny Rahtz, like Philip Larkin, was ‘exiled’ in Hull for many years. Seeking, again like Larkin, a kind of refuge in the luminous estuarial spaces ‘where sky and Lincolnshire and water meet’, Rahtz brings to her fine, evanescent poem the charmed interpretative insight of an outsider.
Here, the ‘hard surfaces’ of the city melt into the sea and sky, creating the illusion of an insubstantial distance where margins dissolve, like those of a Turner horizon. The poet’s phrasing and syntax is similarly liminal, nosing, tentatively between the present and memory as if in homage to the ‘fresh and salt tides’, whose unseen ‘mix’ performs a ministry of silence.
The obscuring of locators by the strange opaque light – Rahtz’ closing lines embody a sense of displacement – is mitigated only by the presence of bird prints in the ‘silver mud’, whose tracks are totems of memory, unknowable ‘hieroglyphs’ in the Humber flats.
‘Bird Prints’ is taken from Old City, New Rumours: A Hull Anthology, Edited by Ian Gregson and Carol Rumens, published by Five Leaves Publications (2010).