Classical Music: Mendelssohn Elijah

Mendelssohn Elijah

Masabane Cecilia Rangwanasha – Soprano, Dame Sarah Connolly – Mezzo-Soprano, Allan Clayton – Tenor, Gerald Finley – Bass-baritone, Ewan Christian – Treble
The Guildhall Singers, London Symphony Chorus
London Symphony Orchestra
Sir Antonio Pappano – Conductor

LSO0898 / LSO Live
https://www.lso.co.uk/

Mendelssohn has given us a rich legacy of fine works, whether it be the delectable Octet, A Midsummer Night’s Dream, Violin Concerto, or numerous symphonies, piano works, and songs. Choral societies often programme the enthralling drama of his oratorio Elijah, one of his most endearing works. The crescendo in the overture, which transitions into the powerful chorus 'Help, Lord', captivates everyone. The tension is palpable as the strings deftly and brilliantly build up the sound palette with tremendous dynamics.

The Barbican in London hosted a live recording in DSD 256fs on 28 and 31 January 2024. Sir Antonio Pappano, who recently concluded his tenure as music director at The Royal Opera House, Covent Garden, is renowned for his storytelling skills. He skilfully captures the drama, masters the subtle nuances and pace, propels the story forward, and, with a stellar cast that brilliantly responds to his direction, creates moments of exquisite beauty and excitement.

The London Symphony Orchestra, of which Pappano is its chief conductor, responds with an accompaniment that never intrudes, is light when needed, and is full-textured when the meaty choruses appear. The impressive dynamics lift the work off the page and into the concert hall, all achieved through a rainbow of colour that is transcendental. The chorus is also in fine fettle with first-rate intonation and clarity of diction.

The soloists are wonderful: soprano Masabane Cecilia Rangwanasha - wow, what a voice; mezzo-soprano Sarah Connolly brings her fine voice to the party, joined by Gerald Finley as a finely refined Elijah; and tenor Allan Clayton adds to the quality of this marvellous quartet, all of whom understand the roles they are singing and, in doing so, build characters that have all the constituent parts needed to deliver this theatrical Old Testament tale. Their blend is excellent when they perform together as an ensemble. Ewan Christian, the Head Chorister of Westminster Cathedral Choir, contributes a tender and poignant touch to this story, despite his brief involvement.

Turn the sound up and enjoy the vibrancy of this work; you will not be disappointed.